Это мой собственный рип, сделанный программой cdparanoia под GNU/Linux. Лог не сохранился. Диск, к сожалению, давно ушел, так что, сделать рип еще раз (а также сделать скан обложки) уже нет возможности.

auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01 - 1st Movement.wav]Detected average hi-boundary frequency: 2.055446e+004 HzDetected average lo-boundary frequency: 1.613882e+004 HzDetected average hi-cut frequency: 2.171808e+004 HzDetected average lo-cut frequency: 1.133783e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 9.820470e-002First order smothness: 6.079487e-001Second order smothness: 4.535983e-001
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [02 - 2nd Movement.wav]Detected average hi-boundary frequency: 2.054020e+004 HzDetected average lo-boundary frequency: 1.622242e+004 HzDetected average hi-cut frequency: 2.157788e+004 HzDetected average lo-cut frequency: 1.067482e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 2.588357e-001First order smothness: 6.123840e-001Second order smothness: 4.433142e-001
------------------------------------------------------------This track looks like CDDA with probability 100%
auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01 - 3rd Movement.wav]Detected average hi-boundary frequency: 2.049087e+004 HzDetected average lo-boundary frequency: 1.589505e+004 HzDetected average hi-cut frequency: 2.157654e+004 HzDetected average lo-cut frequency: 1.036333e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 2.740613e-001First order smothness: 5.844371e-001Second order smothness: 4.688190e-001
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [02 - 4th Movement.wav]Detected average hi-boundary frequency: 2.052417e+004 HzDetected average lo-boundary frequency: 1.580801e+004 HzDetected average hi-cut frequency: 2.158809e+004 HzDetected average lo-cut frequency: 1.128405e+004 HzMaximum probablis boundary frequency: 2.189100e+004 HzCoefficient of nonlinearity of a phase: 1.370655e-001First order smothness: 5.927106e-001Second order smothness: 4.738907e-001
------------------------------------------------------------This track looks like CDDA with probability 99%

Marcel Khalifй was born on June 10, 1950 in Amchit, Lebanon. He studied the Oud (the Arabic lute) at the Beirut National Conservatory of Music and graduated in 1971, and, ever since, has been injecting a new life into the Oud.
From 1972 to 1975, Marcel Khalifй taught at the Beirut National Conservatory of Music, public Universities and other local private music institutions. During that same period, he toured the Middle East, North Africa, Europe and the United States giving solo performances on the Oud.
Oud playing was traditionally constrained by the strict techniques that governed its playing. Highly talented and skillful musicians such as Marcel Khalifй were, however, able to free the instrument from those constraints and thus greatly expanding its possibilities.
In 1972, Marcel Khalifй created a musical group in his native village, Amchit, with the goal of reviving its musical heritage and the Arabic chorale. The first performances took place in Lebanon. 1976 saw the birth of Marcel Khalifй's Al Mayadine Ensemble. Enriched by the previous ensemble's musical experiences, Al Mayadine's notoriety went well beyond Lebanon. Accompanied by his musical ensemble, Marcel Khalifй began a lifelong far-reaching musical journey, performing in Arab countries, Europe, the United States, Canada, South America, Australia, and Japan.
Marcel Khalifй has been invited several times to festivals of international fame such as: Baalbeck, Beit Eddine (Lebanon), Carthage, El Hammamat (Tunisia), Timgad (Algeria), Jarash (Jordan), Arles (France), Krems, Linz (Austria), Bremen (Germany), Re Orient (Sweden), Pavia (Italy), World Music Festival in San Francisco, New York, Cleveland (USA), Wellington Music Festival (New Zealand) and the Fes Festival of World Sacred Music in Morocco.

Creativity in Arabic music means a symbiotic relationship between the composer and the musician. It is the result of a continuing harmony and struggle between them . No doubt the oral transmission of music in the East has been a determining factor in the development of the improvisational skills of the musician.
Jadal, however, is an attempt to find new methods of expressing the deeply-rooted spontaneity in Arabic music. It is at a level of artistry that departs from the past, presenting a new challenge to the composer and the musician. Jadal brings forth a unique richness in Arabic music through the search for a new law of aesthetics to replace the old. It is an openness toward an uncharted territory emanating from the familiar.
Jadal, a highly free musical idea, explores the utmost possibilities of the oud.